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Digital Audio Systems

Today, it is difficult to find music sources which are not digital. The audio signals in CDs and DVDs, mp3 and wave files, and digital cable all encoded digitally. Even some "live" performances utilize digital synthesizers and digital amplification. This section explains what is meant by digital audio and discusses its relationship to analog ("real") audio.

Since sound waves are pressure waves we may express sound as a function of time where f(t) is the value of the air pressure at a fixed point for the time t. In this model, t and f(t) are real numbers and may taken on an infinite number of possible values. In the digital world, variables may have only a finite number of possible values. Each value is represented by an integer of finite range or a floating point (decimal value with finite range and finite number of decimal digits.) Thus the model for sound in the digital world is a function which, for each time t (from among a discrete number of times,) f(t) represents the pressure from a discrete number of values. The precision for the time is rated by a term called the sampling rate while the precision of pressure values is usually expressed as the sample resolution.

The sample rate referrers to the number of pressure values that are recorded each second and thus determines the precision for the time variable. CD quality sound has a sample rate of 44,100 Hz and thus the time increment is 1/44,100, approximately 0.00023 seconds.

Commonly Encountered Sample Rates
RateUse
11,025 HzPoor AM Radio Quality/Speech (low-end multimedia)
22,050 HzNear FM Radio Quality (high-end multimedia)
32,000 HzBetter than FM Radio Quality (standard broadcast rate)
44,100 HzCD Quality
48,000 HzDAT Quality
96,000 HzDVD Quality

 

Sample resolution (the number of bits per sample) determines how many gradations of amplitude (corresponding to loudness) can be represented in the digital waveform. Typical values are 8, 16, 24, and 32 bits which represent respectively 256, 65,536, 16,777,216, and 4,294,967,296 quantization levels for the amplitude values. The range of amplitudes from the most negative possible sample value to the most positive is referred to as the dynamic range and is normally expressed in decibels (dB) relative to the smallest non-zero digital value (i.e., 1). For example, with 16-bit resolution, the largest positive value representable is 32,767 and the smallest value representable is -32,768 giving a total range of 65,536 values or about 96 dB. The dynamic range for human hearing is about 100 dB.

The process of encoding an analog signal into a digital signal is performed by an analog to digital converter (ADC.) The ADC typically consists of an anti-aliasing (low pass) filter, a sample and hold circuit, and the circuit to convert voltages to digital values.

The process of decoding a digital signal to an analog signal is performed by a digital to analog converter (DAC.) The DAC typically consists of a circuit to convert digital samples to voltage followed by a reconstruction (low pass) filter.

A digital audio processing system consists of an ADC, followed by a digital processing unit which modifies the encoded numbers in some way , followed by a DAC. The digital processing unit may be a computer or a special purpose circuit.

 

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